Here is the cover from Gollancz for my next novel An American Story. It will be published on 20th September this year:
The visual approach is interestingly different from the French interpretation of the same book, as is the title (see below), but a certain theme is consistent. On this subject I merely say: the American story is not what might seem apparent from this thematic consistency, and the consequences are the real story …
Last week I was in Oxford to contribute to a celebration of the life and work of Brian Aldiss, as part of the Oxford Literary Festival. Other participants included Robin Straus (Brian’s American literary agent), Samuel Fanous of the Bodleian Library (repository of the Aldiss papers), Thomas Lodge (actor, Brian’s grandson via Wendy Aldiss), Petronilla Whitfield (actor, and frequent collaborator with Brian), and Michael Moorcock (in a message read by Marcus Gipps). There was also an ancient television interview with Brian, where he spoke amusingly about masturbation, and a song from Ella Fitzgerald, “Cow Cow Boogie”. A second panel discussion followed, with Philip Pullman, Claire Armitstead and Sophie Ratcliffe, more general in nature, about the relationship between literature and genre.
Speaking of literature and genre, I have just read The Booker and the Best, a Kindle Single from Nicholas Clee. This raises the question of why genre writing is not taken seriously by the perceived literary establishment, and why science fiction and thrillers, in particular, never make it to the shortlists of the major literary prizes. (One could point out the paradox that Brian Aldiss, one of the finest literary stylists in the English language, was never a contender in these prizes.) Clee doesn’t reach a firm conclusion, but his discussion of the problem is interesting and involving, and full of good sense. It only costs a quid from Amazon, so do grab a copy.