Since the beginning of April I have been working on a new novel. It has occupied almost all my interest and most of my time since then, so I have rather neglected writing anything here. The novel will be titled An American Story, and I hope and plan to deliver it in the next few weeks.
(It did have a “The” title for a while, but I began to think it was time to put that to rest for a while. Also put aside, perhaps temporarily, perhaps forever, is the Dream Archipelago. I have not lost interest in either of these signature marks, but they were indeed starting to feel like signature marks. I hate being pigeonholed, so An American Story will be something new and different.)
Something old: my most recently published novel, The Gradual, is now out in paperback in both the USA and the UK (Titan and Gollancz respectively), and I have a new short story about to appear in an anthology called 2084, from the indie publisher Unsung Stories. This book is a celebration of George Orwell’s best known novel, a hundred years on. Although I rate Nineteen Eighty-Four as a genuine classic, I believe Orwell’s most important work, at least in terms of the great influence he has had on those of us who follow him, lies in his non-fiction, notably his social and political essays. My story is therefore called “Shooting an Episode”.
My small, specialist literary agency (est. 1981) has recently been given a refreshing boost of new legitimacy in that I am now representing the Belfast-based writer, Sam Thompson. Sam is the real thing: a new and thrilling literary writer of genuine and original talent. His first book Communion Town was a brilliant and radical exegesis of ten modes of fantastic fiction. (The subtitle was: A City in Ten Chapters.) It was longlisted for the Man Booker Prize in its year but went no further. As is often the case its fascination with the fantastic reduced its chances of being treated as a serious work. (Familiar problem.) It should have walked into the Booker shortlist, and been a strong contender for the main prize — but that was not to be. One day it will be recognized for what it was, and the Booker judges for what they were. Anyway, Sam has now produced a second novel called Jott, and we have sold it to John Murray in the UK. It will be out in the summer of next year.
Last month I recorded a 35-minute unedited interview with BBC Radio Scotland, in their Good Morning, Scotland strand. No doubt most people missed this (not everyone), but you can catch up with it here. Warning: it starts suddenly, and there’s a huge photo to get past.
Nina and I will be joint guests of honour at Fantasticon in Copenhagen, 2nd-3rd September.
I will be at the Gollancz Festival, held in Foyles Bookshop, Charing Cross Road, London, on 4th November. Tickets and details here.
On 13th November I shall be doing a reading and a Q&A at Glasgow University, in their series of Creative Conversations.
And on 25th November I shall be at Anglia Ruskin University in Cambridge, giving a talk at the conference Weird Fiction and J. G. Ballard. (I don’t appear to have a link for that yet.)
I hope I can get the new novel delivered before most of that lot kicks in …